{"id":562,"date":"2011-10-22T11:17:32","date_gmt":"2011-10-22T16:17:32","guid":{"rendered":"http:\/\/vandfam.net\/dev\/wordpressmu\/college\/?p=562"},"modified":"2011-10-22T11:17:32","modified_gmt":"2011-10-22T16:17:32","slug":"eating-animals-to-open-communication-studies-season","status":"publish","type":"post","link":"https:\/\/collegearchive.unc.edu\/?p=562","title":{"rendered":"\u2018Eating Animals\u2019 to open communication studies\u2019 season"},"content":{"rendered":"<div>\n<p>An adaptation of Jonathan Safran Foer\u2019s book \u201cEating Animals\u201d will be performed Nov. 10-12 and Nov. 17-19 at the University of North Carolina at Chapel Hill.<\/p>\n<p>The play will kick off the 2011-2012 performance season in the communication studies department, part of UNC\u2019s College of Arts and Sciences.<\/p>\n<p>\u201cEating Animals\u201d was chosen by both UNC and Duke University as the 2011 summer reading book for incoming students. Assistant professor of communication studies Tony Perucci adapted the book for the stage and will direct the Performance Collective in the production, which will combine dance, music, video and puppets. The collective features local artists and UNC faculty, students and staff.<\/p>\n<p>Last year, the collective\u2019s production of \u201cThe Activist\u201d received a number of \u201cbest of the year\u201d awards from the Independent Weekly.<\/p>\n<p>\u201cEating Animals\u201d will be performed in Studio 6 of Swain Hall, near the corner of South Columbia Street and Cameron Avenue. Performances will be at 6 p.m. Thursdays and 8 p.m. Fridays and Saturdays. Tickets, $10 for the public and $5 for students, are available at the student union box office at (919) 962-1449.<\/p>\n<p>The season will continue with additional shows through March. Show dates and times will be posted as they become available at <a href=\"http:\/\/comm.unc.edu\/\">http:\/\/comm.unc.edu<\/a>. Those tickets also will be sold at the student union box office.<\/p>\n<p>\u201cI am thrilled by the ways in which our season reflects our commitment to performance as a mode of reinvention, engagement and creative possibility,\u201d Perucci said. \u201cContinuing in the vein of experimental theater, this season\u2019s well-balanced mix includes stories of political urgency, individual struggles of identity, the ethics and politics of eating meat and the nature of storytelling.\u201d<\/p>\n<p>The season also will include \u201cSolo Takes on Three,\u201d a festival of five performances based on the theme of \u201cremaking \u2013 of identity, desire and the nature of story itself,\u201d said director Joseph Megel, an artist-in-residence in the department. On stage Feb. 2-12, the festival will include four one-person performances:<\/p>\n<ul>\n<li>Visiting artist and University of New Mexico professor Brian Herrara will perform \u201cI Was the Voice of Democracy,\u201d the story of a 17-year-old who is thrust into a peculiar kind of fame when a speech he writes on a whim wins first place in a national scholarship contest.<\/li>\n<\/ul>\n<ul>\n<li>In \u201c(No)Body Behind the Mask,\u201d doctoral candidate Kashif Powell will explore the intersection of his black American identity and West Indian heritage through Ralph Ellison\u2019s classic novel, \u201cInvisible Man,\u201d winner of the National Book Award in 1953.<\/li>\n<\/ul>\n<ul>\n<li>Doctoral candidate Shannon Wong Lerner will premiere \u201cNo One Hurts You More Than S\/MOTHER,\u201d an opera that twists our sense of human desire through the need to please our mothers.<\/li>\n<\/ul>\n<ul>\n<li>Undergraduate Sam Peterson, 50, will showcase \u201cFrom F to M to Octopus,\u201d an unexpected and surprising look at the process of changing gender.<\/li>\n<\/ul>\n<p>The last performance in \u201cSolo Takes on Three\u201d will be the Performance Collective\u2019s \u201cStories are Lies (That We Tell to Get Other People to Like Us and to Make Us Feel Better About Ourselves),\u201d adaptations of 60 short stories in 70 minutes.<\/p>\n<p>The season will end with a free performance of \u201cImitation of Life\u201d March 16-18 in the Martha Nell Hardy space in 203 Bingham Hall. The play will be undergraduate Shani Watson\u2019s adaptation of the controversial 1933 novel by Fannie Hurst.<\/p>\n<p>Mentored by communication studies professor Paul Ferguson, Watson crafted a story focusing on two widows \u2013 one white, one black \u2013 and their rebellious daughters, who struggle for happiness against racism and other social ills. \u201cImitation of Life\u201d\u00a0portrays the fear and loneliness that troubles an adolescent who rejects her racial identity.<\/p>\n<p>For more information, call Megel at (919) 843-7067.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>An adaptation of Jonathan Safran Foer\u2019s book \u201cEating Animals\u201d will be performed Nov. 10-12 and Nov. 17-19 at the University of North Carolina at Chapel Hill. The play will kick off the 2011-2012 performance season in the communication studies department, part of UNC\u2019s College of Arts and Sciences. \u201cEating Animals\u201d was chosen by both UNC [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":563,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[15],"tags":[],"class_list":["post-562","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fine-arts-humanities"],"_links":{"self":[{"href":"https:\/\/collegearchive.unc.edu\/index.php?rest_route=\/wp\/v2\/posts\/562","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/collegearchive.unc.edu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/collegearchive.unc.edu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/collegearchive.unc.edu\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/collegearchive.unc.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=562"}],"version-history":[{"count":0,"href":"https:\/\/collegearchive.unc.edu\/index.php?rest_route=\/wp\/v2\/posts\/562\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/collegearchive.unc.edu\/index.php?rest_route=\/wp\/v2\/media\/563"}],"wp:attachment":[{"href":"https:\/\/collegearchive.unc.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=562"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/collegearchive.unc.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=562"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/collegearchive.unc.edu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}